
SLEDGE by Studiologic® 47
E
EFFECT 1
EFFECT 2
Chorus: this warm and rich eect is generated by using Comb
lters that creates slightly detuned copies of the input signal
and mix it into the output signal. The result sounds like an
ensemble of several simultaneous sounds, like a choir as op-
posed to a single voice; hence the name Chorus. The
detuning is generated by an internal LFO that can be control-
led in Rate and Depth by the related potentiometers of the
front panel.
Phaser: is a combination of several „allpass“ lters working
in parallel. This generates an eect with equally spaced fre-
quency peaks or troughs. The result is a strongly colorized
signal. The two potentiometers are controlling both the Rate
(speed) and Depth (amount) of the eect.
Flanger: very similar to the Chorus eect, it features a more
evident feedback circuitry to feed the generated signal back
into the comb lter. This generates a deeper detuning and co-
lorizes the signal. With extreme settings you can hear a very
characteristic whistling sound.
Delay: this is an eect produces echoes of the input signal;
the length can be changed without clicks or pitch changes an
this allows to experiment with dierent values without get-
ting bad side eects.
Reverb: this eect is probably the most widely used eect in
music production; it is used to add a realistic ambience to cle-
an and dry audio recorded in a studio andvery complicated
mathematical algorithms are needed to simulate the comple-
xity of a natural reverb. The instrument’s reverb eects don’t
intend to simulate a perfect natural room, rather they are an
addition to Sledge’s sound synthesis to make it more three (3)
dimensional and expressive.
The two potentiometers allow to control the level of this Ef-
fects (sometimes mentioned as Dry/Wet mix) and the Time,
for both the Delay eect (time between two repetitions) and
Reverb (duration of the reverb eect, that can also be inten-
ded as room size and diusion in a simple mixed parameter).
EFFECT 1
EFFECT 2
Eect 1/Eect 2
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